Co-production 2020

Urša Sekirnik i Joana Serra


Duration: 60 min


21-24/01 | Antic Teatre (Barcelona)
7-8/05 | Bunker Stara mestna elektrarna – Elektro Ljubljana (Ljubljana, Eslovènia)


Concept and performance: Urša Sekirnik and Joana Serra Forasté
Dramaturgy: Carlota Grau Bagès
Set design: Mercè Lucchetti and Joana Serra
Music: Joan Cot Ros
Technical director: Sergio Roca Saiz
Technical support: Janko Oven
Costumes: Urša Sekirnik
Photography: Nora Baylach
Graphic Design: TBA
Photo documentation: Nada Žgank
Video documentation: TBA
Translations: Judit Obach and Katja Kosi
Executive production: Sabrina Železnik

Production: Emanat
Coproduction: Antic Teatre, Espai de Creació, Barcelona
Partners: KUD NUM, Bunker / Old Power Station, Ljubljana, Secondary Preschool Education and Gimnazija Ljubljana, La Visiva, La Poderosa, l’Estruch – Espai de creació de les arts en viu, JSKD – Public fund for cultural activities Republic of Slovenia
Financial support: City Municipality of Ljubljana and Ministry of Culture RS

Queuing – an imposed break in our daily lives. Suspended time, non-time; an everyday action that places our body in a very specific state, forces us to stop and wait, and positions us in conditions of power or vulnerability depending on the context and the purpose of the queue.

Fent cua / Waiting in line (working title) is a new project by Urša Sekirnik and Joana Serra, a participatory performance that takes inspiration from the action of queueing and puts the audience’s experience at the centre of the research.

Urša Sekirnik graduated from SEAD (Salzburg Experimental Academy of Dance) in 2011 and currently works as a creator, performer, dancer and teacher. She is the co-founder of KUD NUM, a multidisciplinary artistic collective based in Škofja Loka, Slovenia and has been part of the La Visiva team since 2019. In the last 10 years she has created several pieces on her own and in collaboration with other artists.

Joana Serra Forasté is an interdisciplinary creator who works with light, space and the body in the field of performing arts and installation. A graduate of Salzburg Experimental Academy of Dance (SEAD) and Escénica Técnica, Granada. She has worked as a stage lighting designer for the last 7 years. Since 2018, she has co-directed the company Animal Religion. She is currently working on a personal project, Range of Gray

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