26-28 February, 1 & 5-8 March 2026

MACARENA RECUERDA SHEPHERD

SI FUERA UNA PELÍCULA

premiere Barce- lona
Thursday, 26th February at 8 pm.

Friday, 27th February at 8 pm.

Saturday, 28th February at 8 pm.
+After-show by Valentina Alvarado Matos
(*info below)


Sunday, 1st March at 8 pm.

Thursday, 5th March at 8 pm.
+After-show by Marta Azparren
(**info below)


Friday, 6th March at 8 pm.

Saturday, 7th March at 8 pm.

Sunday, 8th March at 8 pm.
Languages: Spanish
Duration: 60 minutes
Recommended age: +14 years old
Warning: strobe lights and a smoke machine are used in the show
Tickets: 15 euros ONLINE // 17 euros BOX OFFICE
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Concept: Macarena Recuerda
Performers: George Marinov and Macarena Recuerda
With the collaboration of Idurre Arriola and Irantzu Azpeitia
Sound Production: Alberto de la Hoz
Lighting: George Marinov
Light-based Audiovisual: Macarena Recuerda
Choreographic and Costume Advisor: Jorge Dutor
Music: La Bravo & Gydeon with the collaboration of Segundo Olaeta Musika Eskola (Gernika-Lumo): Artur Sustatxa (Arrangements), Unax Atristain (Trumpet), Beñat Zobaran (Trumpet), Gartzen Cosme (Horn), Iñigo Jaio (Horn), Gartzen Cosme (Horn), Ekaitz Gutiérrez (Tuba), and Martxel Asteinza (Percussion)

A production by Macarena Recuerda Shepherd and Antic Teatre, with the collaboration of the Basque Government.
Residencies in: Gernikako Udala, El Graner (BCN), Aulestiko Udala, Zornotzako Udala, Bilboko Udala, Teatro Ensalle (Vigo) and La Mutant (València)

macarenarecuerdashepherd.com

@george_marinov_  @montdedutor  @saraserranolpz  @pau.labravo  @macarenarecuerdashepherd

#performance #danza #cine #arte sonoro


*After-show on Saturday, 28th by:

Valentina Alvarado Matos, visual artist and film maker. Her work takes on subjects relating to memory and landscape using a dialogue between the material nature of film, paper, voice and ceramics. Her practice, something akin to collage, weaves together reflections on identity in the diaspora, memory and landscape. Her work has been shown at institutions and festivals such as La Virreina Centre de la Imatge, V&A Museum, Artium Museoa, Viennale, International Film Festival Rotterdam, Punto de Vista, S8 Mostra de Cine Periférico, XCèntric and Loop Festival, among others. She has been resident artist at Hangar, La Escocesa, Matadero Madrid and Visual Studies Workshop, and combines her artistic practice with teaching. Her films are featured in catalogues such as Light Cone, HAMACA and Archivo XCèntric, and her work has been included in international publications.

www.valentinalvaradomatos.com
@valentinalvaradomatos


**After-show on Thursday, 5th by:

Marta Azparren, non-visual visual artist. She moves between experimental/expanded cinema, live arts and drawing. Her work often focuses on artistic activity, paying attention to the connections between creator, viewer, work and the internal machinery of mediation, production and exhibition. Her gaze also turns to the non-visual in the visual, that which tends to disappear. She has recently published the essay Cine ciego. Detener el flujo de las imágenes (Blind Cinema: Stopping the Flow of Images) on monochrome cinema and images without images.

 

Si fuera una película (If It Were a Movie) is a piece that explores the possibilities of sound in cinema to reflect on theatrical staging. Sound that dramatises, fictionalises, or re-signifies the images it touches; sound that creates strangeness, humour, or becomes metaphor, traveling from the plausible to the unreal. This superimposition of narrative elements—sound tied to both cinema and stage—reveals the potential of each. Sound as a generator of limitless possibilities, and performance with its infinite code of representation.


Macarena Recuerda: trained in performing arts, theatre and dance. Although she holds a degree from the Institut del Teatre, what truly interests her are participatory projects that aim to create new ways of engaging with art. Since 2012, her research has focused on the role of the spectator. She invents new spaces for playing, creating and thinking together. Her research follows two main lines: one focused on stage language and another centred on participatory and pedagogical spaces.

Imatge: Fede Caraduje
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