What you are about to see is called In search of the sexless and headless animal. It’s also called It’s never too late for touch typing or The day I dreamed I killed Hegel I saw one tooth after another fall randomly into the palm of my hand.
These are three of the many titles that this project could have. None of them is the right one, none gives a precise meaning. They are thoughts that are removed from thinking and a curiosity towards what we don’t know how to say, what we start but don’t finish: the unspoken work, the inaudible frequency, the discarded text.
For some time now she has not understood a word emitted by these huge, smiling mouths of white and shining teeth. Tiredness is the same as silence.
I’ll dance to this rhythm; when I’m tired I listen better.
Laida Azkona (Pamplona 1981) lives between Barcelona and Pamplona and works with live arts from a variety of disciplines. Her current focus is on writing, understood as an expanded concept of choreography and presence – movement of the body.
Trained at The Rambert School (London), SEAD (Salzburg) and The Trisha Brown Company Studio (New York) she has performed for such creators as Francesco Scavetta (Oslo), Juschka Weigel (Berlin) and Noemí Lafrance (New York). Co-founder of the performance collective Hierbaroja, she is also one of the artistic directors of the INMEDIACIONES festival.
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