Bodies, an aerial hoop and plastic bags depicting a black sea.
What is a body submerged in the water and what is a body among the garbage? Both textures, the resulting bodily qualities and the musicality of the materials are addressed.
The stereotypes of beauty and its limits are questioned, the point where something ceases to be beautiful to become ugly and vice versa.
Disharmony and imperfection.
The search for appearance and the pretension of maintaining a composite image when everything collapses.
Recycling in the use of materials (the hoop is a circus tool but it is also a mirror, a moon, a stage set; the garbage bags are a sea of plastic but then become an elegant dress or a monster).
Phonophobia present their second creation, Fast Food Emotion. Multidisciplinary dissident queer artists, in their work Karita and Maristella traverse different types of performance art such as circus, song, physical theatre, fashion and dance, to contribute to a single dramaturgical narrative. During their first show Phonophobia worked on a circus sound creation, Responsabilitè (il)limitè d’un concert physique – (2018-2021), a mix of voices and bodies where the moment shared with the audience is accompanied by a grotesque side.
