26-28 February, 1 & 5-8 March 2026

MACARENA RECUERDA SHEPHERD

SI FUERA UN PELÍCULA

premiere Barce- lona
Thursday, 26th February at 8 pm.
Friday, 27th February at 8 pm.
Saturday, 28th February at 8 pm.
Sunday, 1st March at 8 pm.

Thursday, 5th March at 8 pm.
Friday, 6th March at 8 pm.
Saturday, 7th March at 8 pm.
Sunday, 8th March at 8 pm.
Languages: Spanish
Duration: 60 minutes
Recommended age: +14 years old
Warning: strobe lights and a smoke machine are used in the show
Tickets: 15 euros ONLINE // 17 euros BOX OFFICE

Concept: Macarena Recuerda
Performers: George Marinov and Macarena Recuerda
With the collaboration of Idurre Arriola and Irantzu Azpeitia
Sound Production: Alberto de la Hoz
Lighting: George Marinov
Light-based Audiovisual: Macarena Recuerda
Choreographic and Costume Advisor: Jorge Dutor
Music: La Bravo & Gydeon with the collaboration of Segundo Olaeta Musika Eskola (Gernika-Lumo): Artur Sustatxa (Arrangements), Unax Atristain (Trumpet), Beñat Zobaran (Trumpet), Gartzen Cosme (Horn), Iñigo Jaio (Horn), Gartzen Cosme (Horn), Ekaitz Gutiérrez (Tuba), and Martxel Asteinza (Percussion)

A production by Macarena Recuerda Shepherd and Antic Teatre, with the collaboration of the Basque Government.
Residencies in: Gernikako Udala, El Graner (BCN), Aulestiko Udala, Zornotzako Udala, Bilboko Udala, Teatro Ensalle (Vigo) and La Mutant (València)

 

macarenarecuerdashepherd.com

@george_marinov_  @montdedutor  @saraserranolpz  @pau.labravo  @macarenarecuerdashepherd

#performance #danza #cine #arte sonoro

 

Si fuera una película (If It Were a Movie) is a piece that explores the possibilities of sound in cinema to reflect on theatrical staging. Sound that dramatises, fictionalises, or re-signifies the images it touches; sound that creates strangeness, humour, or becomes metaphor, traveling from the plausible to the unreal. This superimposition of narrative elements—sound tied to both cinema and stage—reveals the potential of each. Sound as a generator of limitless possibilities, and performance with its infinite code of representation.


Macarena Recuerda: trained in performing arts, theatre and dance. Although she holds a degree from the Institut del Teatre, what truly interests her are participatory projects that aim to create new ways of engaging with art. Since 2012, her research has focused on the role of the spectator. She invents new spaces for playing, creating and thinking together. Her research follows two main lines: one focused on stage language and another centred on participatory and pedagogical spaces.

Imatge: Fede Caraduje
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