F.U.M comes from the wish to research what arises around something that doesn’t yet exist. The ordinary faith that can keep our hopes up, make us trust what we can’t see or what’s still being built. And maybe it does exist, even if it doesn’t as yet have a solid structure; maybe it exists as a desire, as a projection, as preparation, as patience, as faith. The performance consists of nine chapters geared towards reaching the big moment: a moment that, for dramaturgical coherence, will never come. F.U.M aims to embrace, through the body and the transformation of the stagescape, a revelation: we are always in preparation, and perhaps this preliminary stage is the most substantial.
Clàudia Mirambell graduated in Architecture and Choreography, and is trained in theatre, writing, and dramaturgy. She is part of the Eléctrico28 collective, who develop urban intervention projects based on everyday life and humour. She collaborates in projects as an outside eye. Her interest lies in mixing languages and formats. Her work, inspired by the potential of the absurd, explores displacements, ambivalences, and out-of-context situations to eradicate the inertia in perception. Some examples of her work include the anti-tourist route Servei de desubicacions 24h; nada.dora.toda.dorada, the short film Laberinto; SPAM. Only for you; Allunatge, a pairing of cuisine and movement for the restaurant El Celler de Can Roca; and FAKE YOU.
