28-31 May 2026

Ernesto Orellana G - Teatro SUR (Chile)

EDMUNDO

premiere Barce- lona
Thursday, 28th May at 8 pm

Friday, 29th May at 8 pm
+ After show by Nancy Garín Guzmán (*info below) together with HIV+ activists: J.M. Tomàs (Supervihvivientes), Joaquim Roqueta (GAIS POSITIUS) and Rubén Mora & Lluís Villega (ONG STOP)

Saturday, 30th May at 8 pm

Sunday, 31st May at 8 pm
Languages: Spanish
Duration: 60 minutes
Recommended age: +13 years
Warning: The show uses a smoke machine
Tickets: 15 euros ONLINE // 17 euros BOX OFFICE
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Direction, dramaturgy and performance: Ernesto Orellana Gómez
Sound design: Daniel Marabolí
Set, costumes and graphic design: Jorge Zambrano
Lighting design: Catalina Devia G.
Multimedia design: Matías Carvajal
General production: Macarena Guzmán Rivas
Lighting Assistant: Isidora González
Sound Operator: Dante Parra

Co-production: Centro Cultural Gabriela Mistral (GAM), MINSAL and Teatro SUR

www.ernestorellana.cl www.teatrosur.cl

@ernesorellanagomez @teatrosur.chile @mattcarvajal @-jorgezambrano- @macaguzz @danteparra @isi-rayen @catadevia @baddanni

#ErnestoOrellana #TeatroSUR #TeatroSexodisidente #QueerPerformance #QueerTheatre #VIH #MemoriaYResistencia

 


 

This production is part of LATITUDS, a cycle of small-scale Latin American theatre performances in Barcelona, a project by On el teatre batega supported by the Office for the Support of Cultural Initiatives (OSIC) of the Department of Culture of the Government of Catalonia and the Institute of Culture of Barcelona City Council.

 

In addition, this show is also part of:

Circulación EXPORT – Ruta España 2026, programa de @fundaciionsantiagooff


*After-show on Friday, 29h by:

Nancy Garín Guzmán, a journalist and art historian, works on projects related to critical thinking, new pedagogies, archives, memory and de-colonialisation. She completed the MACBA Independent Studies Programme (PEI) and was a member of the Etcétera artists’ collective and the Internacional Errorista, as well as participating in research groups such as Península. Colonial Processes and Artistic and Curatorial Practices (2012–2018) and Post-Pandemic Counter-Imaginaries (2022–2023). She is a member of the research and production platforms Equipo re (2010–present), with whom she has been developing the Anarchivo sida project. She is part of the collective Espectros de lo Urbano (2017–present) and the research group Cosmografías (2024). She has worked as a teacher and mentor/tutor in various spaces for critical and experimental pedagogy, such as the MACBA’s PEI (2023–2024), Embracing Uncertainty, Warding Off Evil and Connective Tissues (2020, 2021 and 2024).

Anarchivo sida. Launched in 2013, this is an internationalist research and production project exploring the cultural and social dimensions of the ongoing HIV/AIDS crisis in Spain and Chile, alongside case studies from other Latin American contexts. The initiative has taken various forms, including three solo exhibitions presented at Tabakalera (San Sebastián), the Conde Duque Cultural Centre (Madrid) and the MACBA Centre for Studies and Documentation (Barcelona). It has also involved research, exhibition, educational, dialogue and debate initiatives in venues such as: CCE (Buenos Aires), Arteleku (Gipuzkoa), UNIA arteypensamiento (Seville), Loop (Barcelona), Arkheia/MUAC (Mexico City), Tabakalera (San Sebastián), MACBA (Barcelona), MAC (Chile), Museo Nacional Centro de Arte Reina Sofía (Madrid), IVAM (Valencia), Van Abbenmuseum (Eindhoven), Villa Arson (Nice) and Akademie der Künste der Welt (Cologne), amongst others.

 

EDMUNDO is a performative and multimedia monologue inspired by the first person in Chile to die of HIV/AIDS, in 1984. The piece reconstructs an inconclusive sexual/political report following the case of gay teacher Edmundo Rodríguez. Through a postdramatic exercise that fuses auto-fiction and biography, the performance crosses times, bodies and archives, interweaving voices, images and soundscapes with HIV-positive homosexual memories from a fragmented past and the fag body of the artist personifying  these in the present. The work explores the stigma, silence and violence that continue to this day, from an anti-normative perspective. EDMUNDO is written, directed, and performed by Ernesto Orellana, and co-produced by Teatro SUR and GAM.


Ernesto Orellana is a queer performing artist, director, playwright, researcher and cultural manager from Chile. His work operates at the intersection of performance, post-dramatic theatre, activism and critical thought, with a sustained focus on sexual dissidence, political memory and anti-normative aesthetics. He is the founder and director of Teatro SUR and the creator of Festival DESVIACIONES, Chile’s first festival dedicated to performing arts and sexual dissidence. His artistic research, which he terms Sexo-dissident Theatre, weaves together body, archive, autobiography and multimedia technologies to generate scenes of resistance, memory and the rewriting of history from the margins.Teatro SUR is a Chilean performing arts platform and company founded in 2011, dedicated to the creation, research and production of contemporary theatre and performance from a critical, political, and sex-dissident perspective. Its work brings together body, memory, archive and multimedia technologies, developing pieces that engage with sexual dissidence, human rights and political memory in Chile and Latin America. In addition to its creative practice, it fosters training processes, residencies and community-based engagement in Santiago de Chile, consolidating itself as a space for experimentation, countercultural resistance and independent artistic production. Its works have been presented in Chile, Ecuador, Argentina, Brazil, Peru, Cuba, Germany, the United States, Estonia, Poland and Spain.

Imatge: Patricio Cortés-GAM
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